matthew clark davison | writer :: teacher

"Doubting Thomas moves compellingly and compassionately among races, genders, sexual identities, and other human conditions. A novel of this depth and vigor, this liveliness, would be notable coming from any writer; the fact that it’s Matthew Clark Davison’s first is a clear indication of marvels yet to come." —Michael Cunningham, Pulitzer Prize-winning author of The Hours

"Sharply probing…Thanks to the care Davison pays to his characters—each one a fully realized, thinking human in Thomas’s orbit—what could be an over serving of tragedy is instead delivered with clarity and nuance. The result is a novel that manages to take on a number of the world’s traumas…using the personal travails of a gay man at the dusk of Obama’s America to probe at the nature of what it truly means to know oneself.” —SF Chronicle

“...Wonderfully insightful and tremendously generous of spirit....” —Alice LaPlante, author of Turn of Mind

"...Matthew Clark Davison's absorbing, electric Doubting Thomas knows that just when you think the losses are behind you, more are on the way, and yet some losses are entangled with unexpected offerings: a fresh way to see, a chance to be of purpose again, and an invitation to love. A searing, candid debut." —Paul Lisicky, author of Later: My Life at the Edge of the World

“Doubting Thomas is a phenomenal gift...a testament to the transcendent possibilities of storytelling. Heart-wrenching and mending, Matthew Clark Davison proves in these pages that, in the hands of the right writer, a novel's humanity and craft can amplify one another...” —T Kira Madden, author of Long Live the Tribe of Fatherless Girls

"An electrifying debut. Matthew Clark Davison is a force to be reckoned with." —Armistead Maupin, author of Tales of the City

"A wrenching professional crisis becomes the occasion for a man to reckon with everything that made him who he is...Is it possible to emerge from such a moment with hope and an open heart?...Matthew Clark Davison offers an answer in the form of this very beautiful novel." —Ann Packer, author of The Dive From Clausen's Pier

"...enviable...thrilling...every character brims with rich detail, nuanced psyche, the beautiful paradoxes of soul..." —Patrick Earl Ryan, author of If We Were Electric

"...nuanced, layered, detailed, and incredibly touching. In short, this is a fiercely complicated story, beautifully told” —Zoela Renee Summerfield, author of Every Other Weekend

"With much grace and a deep understanding of both parenthood and friendship, Davison has meticulously chronicled love – wild and brotherly and even marital – into one man's battle to understand himself..." —Terese Svoboda, author of Great American Desert

“From the shock of the first sentence, through heart-rending twists and shifts, right through to the end, Doubting Thomas is a compulsively readable, brilliantly assured novel. Matthew Clark Davison creates such indelible characters, you'll miss them when you close the book” —Justin Torres, author of We the Animals

"Matthew Clark Davison’s clear prose highlights Thomas’s external challenges and internal struggles. After his troubling experiences, redemption comes only when Thomas is able to acknowledge and honor his own truths. In the riveting novel Doubting Thomas, an ex-teacher learns about the dangers of masking who you are to appease others." --Forward Reviews (5 Stars)

"Davison weaves memories into moments with an organic flow..,Everything about Doubting Thomas feels natural, from Thomas’ evolving reactions to his eclectic family that surrounds him, to his creeping fear...It’s about rebuilding after loss. Thomas’ new life gets more complex by degrees as he deals with family, friends, and the aftermath of accusation, in a world where no one is a hero or a villain." —The Queer Review

"What happens when a gay male teacher is accused of molesting his male 4th grade student by the boy’s parents? In Matthew Clark Davison’s debut novel...The real story, the real heat of the book is not the sensationalism of the accusation, but its effects on the entirety of the accused’s life, love, and family." —Foglifter Magazine

“Complex, incredibly touching, painful at times, beautiful” —Marieke du Pré, Goodreads

"With a single lie Thomas has lost a career that was more calling than job. [Davison writes]...lines like 'The day smelled of beer, and cigarettes, and the first bloom of Jasmine;'...beautifully atmospheric setting..[and] lovingly drawn characters...this book isn’t all about the ills of society. In fact, it’s most about family, and resilience, and love." --Front Matter, VCFA

“With this important work, Davison achieves something of an anthem for…gay…Gen Xers as Edmund White and Alan Hollinghurst do…for baby boomers, and in that Doubting Thomas feels like it has a place of permanence in LGBTQ+ literature.” —Out In Print

“...Doubting Thomas is an absorbing story of a gay man who finally learns to love...It is also a disturbing picture of the limits of the liberalism so many people pride themselves on having. Davison...has a poet’s gift for striking metaphors.” —New York Journal of Books

The prose in Davison’s novel is lucid, sensitive, and gorgeous as he weaves a story of evolving relationships, vacillating self-perception, and deeply entrenched hypocrisy. —Adam Winograd, ZYZZYVA

Testimonials from Labbers

Enrolling in "The Lab: Writing Classes with Matthew Clark Davison" has given me time, accountability, and support for my writing. But it's more than that. It's a true literary exploration. Matthew's carefully selected prompts and thoughtful lessons inspire me to dig deeper into my characters' inner lives and help me discover and explore the themes most important to me. "The Lab" is also a great place to find new characters - writers at all levels and stages appreciate the creative and artistic questions posed in "The Lab." Matthew is encouraging, kind, skilled, and authentic. I will probably just continue taking "The Lab" forever.

—Ryan Pittington

When I think about my current life as writer/artist, getting connected to the Lab was monumental for me. The first piece of writing I ever published was written during my first Lab cycle-- and, more importantly than that—Matthew's creativity and encouragement laid a groundwork for me to feel comfortable pursuing my creative voice and pushed me to prioritize creating space for writing and creative wanderings. He does the important and necessary work of connecting writing with spirituality, aesthetics, and practice and for curating such exciting experiments every time.

— Hannah Rubin

The Lab was the highlight of my Autumn. I came to the Lab in a post-MFA rut, eager to continue working on my project but not sure how to keep the story in motion. Matthew’s lessons taught me how to thoughtfully consume other forms of art as a writer, how to look at a photograph or listen to a podcast, pinpoint what I appreciate about it and attempt to incorporate that quality into my own writing. It was an education in storytelling mediums, how the work of John Cameron Mitchell and Tina Louise Blevins and Lyle Ashton Harris can speak to each other. Each week I learned how to glean various tools from these artists for use in my own craft, a skill I hope to continue to use in the future.

—Devan Brettkelly

I’ve participated in The Lab for 2 years and have always discovered a new way to explore my writing and that of others. As an artist, it was an immense pleasure having a designated time to focus on my own project, free-write, or dive into one of Matthew Clark Davison’s many brilliant writing prompts, all with the freedom to share and receive feedback or not. Those who are new to writing, experimenting, or already published will all find an open and diverse group of “labbers” together to create and, more often than not, inspire each other in ways only an environment like this can produce. I highly recommend The Lab to anybody who seeks a safe space for their creativity.

— Zach Grear

When my son Ethan was seven, eight, nine, I would buy magic tricks for him from Misdirections, on 9th Avenue between Lincoln and Irving. The proprietor, Joe, got to know me well enough that he invited Ethan and I to the Miraloma Park Improvement Club for a get together with magicians from all over the Bay Area. Oh my God, what a night. We walked around with decks of cards and magic boxes and silver rings, things appearing and disappearing, aces jumping out of velvet bags, the king of clubs ending up in Ethan’s back pocket, which was impossible but there it was. Everyone had a new illusion, and they couldn’t wait to share. We were treated as fellow magicians even though we didn’t know what we were doing. It was literally and figuratively a magical evening, and not unlike, the six evenings at The Lab. There we were, marginal, in the best sense of the word, I still didn’t know what I was doing. What I do know is that we were writing like madmen and madwomen. We were sharing new illusions, trying them out on one another. I know my heart beat faster.

—Arthur Hofmayer

Where else can you write furiously in a church while seeing a glitter-drenched opera? Where else can you learn about how your setting can change your character by watching a film in which queer black child gets baptized in the ocean? Where else can you study two painters' landscapes and learn to incorporate absence into your scene? The Lab is a vibrant space to experiment across artistic disciplines. Matthew Clark Davison is a committed, creative, compassionate, compelling teacher. I highly recommend working with him in The Lab.

—Celeste Chan

I originally approached "The Lab" with curiosity...and trepidation. I had never taken any kind of writing class, having always been convinced that 1) I wasn't a good enough writer, and 2) because I thought all writing classes involved mean and/or pointless workshopping. Everything about The Lab and Matthew proved me wrong. First, because this class is much more exploration than traditional class. The exercises are invigorating, and Matthew's insights are truly helpful--I think of it more as making you notice something on a page than telling you that something has to be on the page. Second, there is a broad range of levels represented in the room, and Matthew has structured the class in such a way that at no point do you feel vulnerable or judged. I would take this class again and again.

— Jessica Powell

I come to The Lab when I have a project that needs fleshing out. Each week’s set of experiments helps me generate new material and more deeply understand my characters. Matthew Clark Davison’s instruction inspires me to look at my writing in new ways. If you're feeling stuck in your novel or story or memoir or personal essay; or just need that extra push, The Lab is a great space to make things happen.

— Shideh Etaat

Participating in Matthew's class was a vital experience for me. When I do write, it's mostly reviews of non-fiction analytical psychology books. My time in “The Lab" gave me the space to go deeper into my own emotions and listen to the words that emerged. Matthew is a gifted teacher who encourages curiosity and is on the lookout for the unexpected. His approach helped me find some new ways of expressing or, experimenting with, my creativity.

— Gail A. Grynbaum RN PhD

I’ve had the opportunity to enroll in The Lab several times over the past 7 years and I have walked away with something invaluable that has enriched my writing every time. The variety of experiments Mathew offers throughout the 6-week Lab have not only helped me become a better storyteller, they’ve expanded my creative process. A number of seeds were planted in each session of The Lab that have blossomed into a number of writing projects that have included short stories, a children’s picture book, and now the beginnings of my first novel. Thank you, Mathew!

— Jase Peeples

MATTHEW CLARK DAVISON is the author of Doubting Thomas (Amble Press in 2021) and creator of The Lab :: Writing Classes with MCD, and his textbook The Lab, Experiments in Writing Across Genre, co-authored by bestselling writer Alice LaPlante, will be published by W.W. Norton in 2022. His prose has been recently anthologized in Empty The Pews (Epiphany Publishing) and 580-Split; and published in or on Guernica, The Atlantic Monthly, Foglifter, Lumina Magazine, Fourteen Hills, Per Contra, Educe, and others; and has been recognized with a Creative Work Grant, Cultural Equities Grant, Clark Gross Award for a Novel-in-Progress, and a Stonewall Alumni Award.

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Testimonials from Labbers

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Testimonials from Labbers

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